In the series Calligraphies of Forgetting, painting becomes a space where time loses linearity. Layers of color accumulate, dissolve, and resurface like fragments of shifting realities, forming the image through sedimentation rather than representation. Each gesture adds a temporal layer, while acts of erosion reveal earlier traces, allowing past and present to coexist.

Dominated by turquoise, the composition suggests a fluid realm between air and water, where faint graphic signs appear and fade like distant echoes. At its core, fragmented calligraphic forms emerge—remnants of an indecipherable writing. These marks belong to no language, but evoke an attempt to preserve the fleeting, to fix a passing moment within matter.

The work unfolds as a cartography of layered time, a visual palimpsest where each stratum retains memory beneath the surface. Time becomes relative, and memory a structure of overlapping realities that slowly erode one another. The calligraphic traces suggest echoes of experiences that persist beyond their moment.

Facing these surfaces, the viewer senses the return of forgotten inscriptions—silent yet charged with the energy of gesture. Like fossils of memory, they hint that nothing fully disappears. The painting becomes a meditation on transience: even as time erodes all things, each moment may endure as a subtle vibration, endlessly rewritten.