Abstract painting The Dome of Inner Horizons
Abstract painting The Dome of Inner Horizons
Foggy morning in Tibet is part of the Series: Beyond the inside
Price on request / Chat with me with whatapp at 0040720190320
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Please send private message from contact form / Buying more than a piece can generate an atractive discount from the listed price.
Painting will be very well protected with special materials, will be sent high priority and with assurance.
I have more than 1000 paintings all sizes in collections all over the world and all arrived in perfect conditions to the collectors !
- This is an original signed acrylic painting on canvas fixed on wooden chassis.
- The size of the painting is 60 x 60 cm and is ready to hang, varnished to protect the colors in time.
- The artwork is signed on the front and the back side and is in the style: expressive and gestural.
- Buying more than one painting will allow you to benefit a special discount to the total amount . Please email me via contact section or by phone at 0040720190320. Thank you !
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“The Dome of Inner Horizons”, part of Ovidiu Kloska’s ongoing cycle Beyond the Inside, the canvas becomes a threshold between the perceptible and the ineffable. Here, painting is no longer a window into the world, but a mirror fractured by memory, dream, and metaphysical resonance.
A dense chromatic atmosphere, dominated by veils of purples, silvers, and spectral whites, suspends the viewer in a liminal zone — a place where matter itself seems to crumble into pure energy. Within this environment, vague architectures emerge and dissolve: perhaps cathedrals, perhaps mountains, or merely shadows of an inner geography, suspended in a state of permanent becoming.
Unlike earlier works in the Beyond the Inside series, where subterranean currents of color suggested hidden flows of consciousness, this painting opens upwards, towards a dome that has cracked under the pressure of light. This fissure is not destruction but revelation: the shattering of an old paradigm of vision to allow the birth of a new one. The fragmented surface carries traces of erosion and rebirth, like ruins of the past transformed into fertile seeds of future imagination.
The contemporary aesthetic dimension emerges in the deliberate instability of form: we live in an age where structures collapse and reform in unpredictable rhythms — political, cultural, digital. Kloska’s canvas reflects this contemporary condition, but translates it into metaphysical language: the fracture becomes an opportunity, the collapse an ascension, the ruin a gate to transcendence.
